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a space between ordinary and odd
Emilie Gossiaux
Featured Artist
About
Interview
Work
Process
“Tongue and Paw”, 2023, 3d printed flexible plastic, (Paw): 4.5 x 2.5 x 1.5 inches ; (Tongue): 3 x 4.5 x 3 inches. Included in “Don’t Mind if I Do” at MoCa Cleveland, curated by Finnegan Shannon.
“Paw on Foot”, 2023, 3d printed plastic, 9 x 4 x 4 inches. Included in Don’t Mind If I Do at MoCa Cleveland, curated by Finnegan Shannon.
“Alligatorgirl Riot”, 2022, ballpoint pen and crayon on paper, 23 x 35 inches. Included in solo show, Significant Otherness at Mother Gallery NYC. Photo credit: Pierre Le Hors
“Alligatorgirl”, 2022, oil paint and cold wax medium on ceramic, 3.75 x 6.75 x 16.5 inches.. Included in solo show, Significant Otherness at Mother Gallery NYC. Photo credit: Pierre Le Hors
“Londons Dancing with Flowers”, 2023, ballpoint pen and crayon on paper, 23 x 35 inches. In-cluded in solo show, Other-Worlding at the Queens Museum. Photo credit: Installation view: Emilie L. Gossiaux, “White Cane Maypole Dance” 2023. Image by Hai Zhang.
“Alligatorgirl” (detail), 2022, oil paint and cold wax medium on ceramic, 3.75 x 6.75 x 16.5 inches.. Included in solo show, Significant Otherness at Mother Gallery NYC. Photo credit: Pierre Le Hors
“True Love will Find You in the End”, 2021, papier-mâché, polystyrene foam, wood, aluminum tubes, epoxy resin, and acrylic matte varnish, 62.5 x 46 x 38 inches. Included in The Shed’s 2021 Open Call.
“We Woke Up Surrounded By Trees”, 2021, ballpoint pen and crayon on paper, 17.5 x 23 inches. Part of a private collection. Photo credit: Pierre Le Hors
“London, Midsummer”, 2022, ballpoint pen and crayon on paper, 23 x 35 inches. Included in solo show, Significant Otherness at Mother Gallery. Photo credit: Pierre Le Hors
“Dancing with London”, 2021, papier-mâché, Polystyrene foam, wood, aluminum tubes, epoxy resin, and acrylic matte varnish, 58 x 41 x 13 inches (sculptures stand 6 feet apart). Included in the group show, Crip Time at the Museum für Moderne Kunst Frankfurt. Courtesy of Museum für Moderne Kunst Frankfurt
“Whitecane Maypole Dance”, 2023, papier-mâché, PVC pipe, polystyrene foam, acrylic paint, matte gel varnish, epoxy resin, felt, Tyvek paper, wire, and dyed tablecloths, dimensions vary. Included in solo show, Other-Worlding at the Queens Museum. Photo Credit: Installation view: Emilie L. Gossiaux, “White Cane Maypole Dance” 2023. Image by Hai Zhang.
“Peanutbutter Licking”, 2022, ballpoint pen and crayon on paper, 17.5 x 23 inches. Part of private collection.
“Fingers and Tongue”, 2023, oil paint and cold wax medium on ceramic, 17 x 5.5 x 4.5 inches. Included in the group show Deep! Down! Inside! at Hales Gallery NYC. Photo credit: JSP Art Photography